6.09.2014

Hamilton Leithauser Revisits The Lodge for Solo Debut


The Walkmen’s front man, Hamilton Leithauser, has officially released his solo debut album Black Hours, via Ribbon Music, and critics are calling it “lively, confidant, and charming.” It’s sound is reminiscent of an old classic New York, when late nights were filled with jazz and good bourbon. The album, vinyl and special release Record Store Day Alexandra 7” vinyl were all mastered at The Lodge by Chief Mastering Engineer, Emily Lazar, and assisted by Rich Morales. The Lodge also mastered the very well known You & Me album by The Walkmen

 Hamilton Leithauser and Rostam Batmanglij in Alexandra.” 

Shortly after The Walkmen announced that they would be taking an “extreme hiatus” Leithauser took to the studio to embark on a solo career.  Even though Leithauser is now solo, his album contains a slew of big-name collabs, including Dirty Projectors’ Amber Coffman, Fleet Foxes’ Morgan Henderson, The Shins’ Richard Swift and longtime Lodge friend, Rostam Batmanglij of Vampire Weekend. The Lodge has worked with Swift and Batmanglij, mastering Chutes Too Narrow, Wincing the Night Away, and Port of Morrow for The Shins, and Vampire Weekend, Contra, and Modern Vampires of the City for Vampire Weekend.

 Hamilton Leithauser's "I Retired" official lyric video.

The album was produced by Hamilton Leithauser, Rostam Batmanglij and fellow Walkmen guitarist, Paul Maroon.  Leithauser worked alongside Batmanglij, as he also co-wrote the two singles “I Retired” and “Alexandra”. Additional mixing of the tracks by Scott Jacoby and Emily Lazar; both were mastered at The Lodge by Emily Lazar.

Over the past several months, the album has been receiving a lot of recognition: “What’s most impressive about Black Hours is how Leithauser can bounce from one style to another without disrupting the flow of the album.” His recent two-day debut solo performance at Joe’s Pub in NYC was impeccable. The intimate 190 seat sit-down venue on Lafayette Street felt lush and elegant, and seemed to elevate Leithauser’s big-band sound. The album translated to the stage beautifully, as the show sold out both nights. 
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